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Has the Pandemic Changed the Experience of Encountering Art in Public?

Elmgreen & Dragset. The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Image © Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY Whether 100 years or less than a month old, train stations and other transit hubs make ideal backdrops for permanent commissions that often graduate into local symbols. A more recent vision for the city’s transportation system is Public Art Fund’s latest installation at the new SOM-designed Moynihan Train Hall. With a soaring iron and glass dome prompting passengers to look up, the ceilings of the former post office seem to be prime real estate.

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Donald Moffett on contagion, compassion, and his glory hole paintings

Since cake decorating led him to take up painting in 1994, Donald Moffett’s materially suggestive surfaces of extruded pigment and poured resin have addressed environmental collapse and political turmoil. But the artist, AIDS activist, and former Gran Fury member’s current exhibition, “The Hollow,” at Marianne Boesky Gallery’s Aspen location, circles back to pandemic time, when, once again, a virus has made touch deadly. Though our current crisis has traded the overt stigmatization of AIDS and its communities for a more collective-minded “we are in this together” spirit, the US government’s

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