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In this bi-weekly series reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.
The Compleat Enchanter is a complete delight from beginning to end. The subtitle,
The Magical Misadventures of Harold Shea, does a pretty good job of summarizing what occurs: Psychologist Harold Shea discovers a means of using scientific formulae to transport himself to parallel worlds based on myth and fantasy. He can’t always control where he goes, can’t use technology from our world, and has only a sketchy ability to control the magic so common in these worlds. But everyone dreams of being able to jump into the middle of their favorite stories, and Harold Shea is able to do just that. With co-author Fletcher Pratt
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Description
This is a 1561 first plate issue of Girolamo Ruscelli s double hemisphere map of the world. It is the earliest acquirable world map in this format, and is the first such to appear in a printed atlas. Like most maps in Ruscelli’s Ptolemy, the geographic details were based on Giacomo Gastaldi s (1500 - 1566) 1548 Ptolemy. Here, the double-hemispherical projection transforms this map into fully new composition. Amongst printed maps, it is predated only by the unacquirable 1555 Georgio Sideri Calapoda (fl. 1537–1565) map.
The MapThe map is oriented to the north, with the three parts of the old world in the right hemisphere and the fourth part of the world - the Americas - dominating the left hemisphere. Some geographical elements appear to be derived from Gastaldi s 1546 and 1548 world maps - but unlike Ruscelli s
From the Past
Memory and Technology
February 12, 2021
One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea it came and went in a flash, almost in spite of myself of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own. This must have been in November or December 2008; I remember the intersection near the Cirque d’Hiver where I was standing, about to cross the street, the light of that cold, gray after- noon, and the spark that shot through my mind.
Artemisia Gentileschi,
HEIC ARTEMISIA
the tombstone of Artemisia Gentileschi is said to have read. Clear and simple, forgoing the usual embellishments, such as names of father, husband, and children, dates of birth and death. HEIC ARTEMISIA, or HERE LIES ARTEMISIA.
Artemisia: now commonly referred to by her first name only (Madonna! Cher! Beyoncé!), in order to avoid confusion with that other famous Baroque Gentileschi
pittore, her father, Orazio. In life, she also went by the surname Lomi, a nod to the traditional artisans of her Tuscan heritage, which she thought might endear her to the powers and patrons of Florence, where she moved from Rome in 1613, at the age of nineteen.