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Trib Total Media TV writer Rob Owen offers a viewing 
tip for the coming week. While some American actors have gone stir crazy waiting out the required 14-day quarantine before they can work on film and TV projects that shoot in Canada, Murrysville native Julie Benz learned to love the
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could have ended as there are different ways to process grief. Each of the season’s nine episodes teased this out new plot twists that threw audiences for loops all meant to obscure, but not erase, the reality that despite all the strength she’s put on display, Wanda Maximoff was falling apart long before she set foot in Westview.
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“The Series Finale” is what
WandaVision’s been building toward this entire time, and it certainly brings a finality to this chunk of Wanda (Elizabeth Olsen) and Vision’s (Paul Bettany) briefly picturesque lives together in New Jersey.
With all of the hype and mystery revolving around the episode, it was somewhat unsurprising when series director Matt Shakman made a point of letting
From the beginning of the modern era of cinematic superheroes the launch of the
X-Men film franchise the struggle for viable live-action TV incarnations of these same heroes was an uphill battle. Following the blockbuster success of
Iron Man and the subsequent development of the Marvel Cinematic Universe, there was a natural expectation that audiences’ appetite for larger-than-life stories of mutant powers and struggles between good and evil would translate smoothly to the small screen. Instead both network and cable television struggled for years with how to integrate superhero storytelling into the medium. With
Heroes’ creative collapse after a single season, TV continually tried and failed to replicate the model of cinematic superhero narratives.