coming up, we see how antonia panna thinks brecon broaden its appeal to attract a bigger, younger and more diverse operas. thanks forjoining me. i think many of us would agree thatjuly has been very unsettled and very wet in many parts of the country. if we have a look at the computer models for the next ten days, they are and indicating further unsettled weather with a strong jet stream sweeping
compelling vision of how to live a musical life.- live a musical life. are we caettin live a musical life. are we getting younger live a musical life. are we | getting younger audiences live a musical life. are we i getting younger audiences into opera houses? opera houses? definitely, definitely. opera houses? definitely, definitely, and opera houses? definitely, i definitely, and undoubtedly. these are people that ucr did every performances at this stage. we saw at the barber of seville, you could see my first opera, i loved it. i seville, you could see my first opera, i loved it. opera, i loved it. i thought it was captivating. opera, i loved it. i thought it was captivating. i opera, i loved it. i thought it was captivating. i think- opera, i loved it. i thought it| was captivating. i think more young was captivating. i think more young people should see operas. as well young people should see operas. as well as young people should see operas. as well as being unbeli
bass, isn t it goes back and isanti grades is incredible. and the control he has in his voice. he can sing the most delicate piece as well. it is quite a unique voice. and the sound it creates is incredible. the sound it creates is incredible. ., , incredible. some of these young eole incredible. some of these young people are incredible. some of these young people are hoping incredible. some of these young people are hoping to incredible. some of these young people are hoping to generate i people are hoping to generate the fairy meadow claim that sir bryn enjoys. he says that success can also cover the cost. . , success can also cover the cost. ., , ., cost. overhead in uries on the m back cost. overhead in uries on the my back has cost. overhead injuries on the my back has been cost. overhead injuries on the my back has been a cost. overhead injuries on the my back has been a problem. | cost. overhead injuries on the | my back has been a problem. i have had to cancel
he embodies that and that is the most powerful advocacy that he could perform for music. everything he does conveys that love of singing and it is completely infectious. and the fact that he is passing that on two young singers makes total sense to me because it is an absolutely compelling vision of how to live a musical life. do you think about getting younger audiences in? definitely. undoubtedly. and these are the people that you see, after performances, at the stage door. we saw in the run of the barber of seville, we had at the royal opera house in covent garden, you could see it. my first opera. i loved it. i thought it was really captivating. i think more young people should see operas. i think it is a great experience. as well as unbelievably gifted in both the sort of musical. and acting categories, -
© Provided by Xinhua LHASA, June 1 (Xinhua) Tenzin Mengnam, a 13-year-old actor dressed in a deep green traditional costume of Tibetan opera, was kn