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Musicology Colloquium: Clara Latham

Musical Labor at Home and in the Factory: Commercial Music Technologies in the Machine Age Clara Latham is Assistant Professor of Music Technology at Eugene Lang College. Her research focuses on the relationship between sound, technology, and labor. She is a 2023 – 2024 member of the Institute for Advanced Studies, where she is working on a book about early twentieth century commercial music technologies in the United States, showing how electronic musical instruments shaped musical labor in this period. Recent articles have appeared in the Journal of Musicology, the Opera Quarterly, and Resonance: The Journal of Sound and Culture. Abstract: The early twentieth century witnessed extraordinary growth in the industrial manufacturing of new music technologies for the home. While musicologists often discuss technologies from this period in terms of new sounds and new modes of performance they introduced, marketing materials for gramophones, radios, player-pianos, autoharps, theremins, an

United statesInstitute for advancedMusical laborCommercial music technologiesAssistant professorMusic technologyEugene langAdvanced studiesOpera quarterly

Musicology Colloquium: Clara Latham

Musical Labor at Home and in the Factory: Commercial Music Technologies in the Machine Age Clara Latham is Assistant Professor of Music Technology at Eugene Lang College. Her research focuses on the relationship between sound, technology, and labor. She is a 2023 – 2024 member of the Institute for Advanced Studies, where she is working on a book about early twentieth century commercial music technologies in the United States, showing how electronic musical instruments shaped musical labor in this period. Recent articles have appeared in the Journal of Musicology, the Opera Quarterly, and Resonance: The Journal of Sound and Culture. Abstract: The early twentieth century witnessed extraordinary growth in the industrial manufacturing of new music technologies for the home. While musicologists often discuss technologies from this period in terms of new sounds and new modes of performance they introduced, marketing materials for gramophones, radios, player-pianos, autoharps, theremins, an

United statesInstitute for advancedMusical laborCommercial music technologiesAssistant professorMusic technologyEugene langAdvanced studiesOpera quarterly

20 Years of Shinkoyo – Mario Diaz De Leon, Cyrus Pireh, IE (Mike

20 Years of Shinkoyo – Mario Diaz De Leon, Cyrus Pireh, IE (Mike
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creative:impact - O say can you hear?

There are so many American myths: the Mayflower Story, George Washington never telling a lie, and then there is Francis Scott Key penning the lyrics to what became our national anthem. How much is of the "Star-Spangled Banner" story is true? Join Deb Polich on this edition of "creative impact." She welcomes back musicologist Mark Clague, whose new book, "O Say Can You Hear?" breaks down the music from the myth.

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Mark Clague

Mark Clague’s profile on The Conversation

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