and when you work with singers and you work with dancers it s very different and when you have to combine both you have. i don t know i don t know if i manage but i try to do that you know a lot of conductors they either do some fun of work or operatic where. you do both how do you justify that decision is just because a conductor the conductor is not an opera conductor as upon a conductor i think a conductor has to do everything and it s one profit from the other and say so i think you know let s get back to this particular opera you said good look tried to reform the opera he wanted to make it more simple after the baroque period does that make your job easier working with simpler music much more difficult the simplest most the more difficult actually in this case because the know that luke wrote for musicians it s actually a syllable on stage it s very much putting text into music and notes the opposite
and when you work with singers and you work with dancers it s very different and when you have to combine both you have. i don t know i don t know if i manage but i try to do that you know a lot of conductors they either do some fun of work or operatic where. you do both how do you justify that decision is just because a conductor the conductor is not an opera conductor as upon a conductor i think a conductor has to do everything and it s one profit from the other and say so i think you know let s get back to this particular op or you said good look tried to reform the arbor he wanted to make it more simple after the baroque period does that make your job easier working with simpler music much more difficult the simplest most the more difficult actually in this case because the know that look wrote for musicians it s actually a syllable on stage it s very much putting text into music and notes the opposite
i manage but i try to do that you know a lot of the conductors they either do some fun of work or operatic where. you do both how do you justify that decision is just because a conductor the conductor is not an opera conductor as a funny conductor i think a conductor has to do everything and it s one profit from the other to say so i think you know let s get bites of this particular opera you said good look tried to reform the opera he wanted to make it more simple after the baroque period does that make your job easier working with simpler music much more difficult the simplest most of the more difficult actually in this case because ever the notes that look wrote for musicians it s actually a syllable on stage it s very much putting text into music and notes the opposite so the musicians in debate i always told them we have to exercise teach it in the pits so it s not on the stage and on stage dancing on stage but with the stage it