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Transcripts for BBCNEWS Talking Movies 20210919 13:35:15
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the silliness, she presents herself to the world very differently than i do, so i was always afraid of it. so much so that towards the end, when it became real, i almost tried to sabotage it. five, four, three. jessica chastain s performance is much better than the film itself, which is a disappointment. it is a story told too much in broad strokes. it lacks originality. the bakers appeal was to the christian right as it was a growing force. the film misses the opportunity to help us understand the rise of that movement that went on to have such a powerful impact on modern american political life. toronto was packed with good films. a favourite of mine being the power of the dog a great study of power in relationships and repressed lives, but because of being hampered by covid 19, it was not an award season where toronto could capture the limelight. that distinction belongs
about ten years ago, and i was shocked with how little i actually knew about tammy and how full of compassion and love she was. and i didn t know much about her beyond the drama and media sensationalism, so it was really important for me to kind of right that wrong, not only for her family, her legacy, but also for the lgbtq audiences that she wrapped her arms around in a time when the conservative evangelical community was turning their backs on them. how much work was involved for you every day when shooting the film in transforming yourself to play the part? because you really do become tammy faye baker in the most wondrous way. it was a lot of prep. for ten years, in the back of my head i knew that i was going to play her. i knew that it was a huge pardon the pun, leap of faith, for me! because there are so many aspects of her, the way that her voice is, the preaching, the singing,
in europe and the us. flee also has a gay theme. amin is gay, closeted in afghanistan it was an issue he had to struggle with and it is a key part of the film. the gay story is a mirror on his refugee story because in his youth and his family, he had to flee his sexuality, so in a way he has always been on the run and in his youth it was from his sexuality and afterwards it was from his past, from his story that he couldn t tell, so those two stories really go hand in hand. the director sjewish ancestors had to flee russia more than 100 years ago to escape persecution, so he says that amin s story was especially important to him. now, his film, already a prize winner, looks set to at least get nominated for some of the biggest accolades the north american movie community can bestow. welcome to toronto, where its film
and as connected to me as i could, without playing myself. toronto endured a tough lockdown, one of the longest in north america, for the staff of the festival, getting their annual extravaganza off the ground hasn t been easy. for the artistic director cameron bailey, dear evan hansen was a perfect choice for the opening night film. we were going through hard times, we had a bad third wave in canada. as we were watching the films we were looking for something that offered hope, that offered some inspiration, but that wasn t simply light, and dear evan hansen looks at some serious subjects about the life of a young man going through some personal issues, some mental health issues, dealing with social isolation, as so many of us were, but it is a musical. it has gorgeous songs. it is ultimately very uplifting. and that combination of being serious and yet inspiring and uplifting was i think exactly the right tone for opening.
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