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Graham Vick, director who opened opera s doors, dies at 67

Graham Vick, director who opened opera s doors, dies at 67 Graham Vick at the Metropolitan Opera, where he directed a production of “Il Trovatore, in New York on Dec. 4, 2000. Vick, a British opera director who worked at prestigious houses like the Metropolitan Opera and La Scala while also seeking to broaden opera’s appeal by staging works in abandoned rock clubs and former factories and by bringing more diversity to casting, died of complications of COVID-19 on Saturday, July 17, 2021, in London. He was 67. Sara Krulwich/The New York Times. by Alex Marshall (NYT NEWS SERVICE) .- Graham Vick, a British opera director who worked at prestigious houses such as the Metropolitan Opera House in New York City and La Scala in Milan while also seeking to broaden opera’s appeal by staging works in abandoned rock clubs and former factories and by bringing more diversity to casting, died Saturday in London. He was 67.

Graham Vick, Director Who Opened Opera s Doors, Dies at 67

Graham Vick, Director Who Opened Opera’s Doors, Dies at 67 The British director was no stranger to the prestige houses, but his calls to make opera more inclusive and available to everyone eventually found their moment. Graham Vick in 2000 at the Metropolitan Opera, where he directed a production of “Il Trovatore.” While working at the world’s major opera houses, he also sought to bring opera to a wider audience with his Birmingham Opera.Credit.Sara Krulwich/The New York Times July 19, 2021, 7:10 p.m. ET LONDON — Graham Vick, a British opera director who worked at prestigious houses like the Metropolitan Opera and La Scala while also seeking to broaden opera’s appeal by staging works in abandoned rock clubs and former factories and by bringing more diversity to casting, died on Saturday in London. He was 67.

Retooling La Bohème for pandemic performances

Retooling La Bohème for pandemic performances Andrew Macnair as Parpignol during a Royal Opera House rehearsal of Puccini’s “La Boheme,” in London. Opera has been forced to forgo its love of packed stages, large orchestras and sold-out crowds, for now. Tristram Kenton/Royal Opera House via The New York Times. by Farah Nayeri (NYT NEWS SERVICE) .- It’s an evening of drinking and revelry at Café Momus. A group of young men chatter away as a femme fatale tries to get their attention, jumping on tables and tossing undergarments. But the night spot is not as crowded as usual. There are few waiters in attendance, and by the windows in the back three patrons dine alone.

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