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Under pressure | The New Criterion

James Panero on “Max Beckmann: The Formative Years, 1915–1925” at Neue Galerie.

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Review: Max Beckmann painted the aftermath of an idiotic war

Review: Max Beckmann painted the aftermath of an idiotic war
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Bertolt-brecht
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New-objectivity
Way-home

For a disenchanted ironist, revolution and rediscovery

Before the war (the First World War, I mean; with so many wars one can lose count), Max Beckmann was painting clean, traditionalist self-portraits and

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For Max Beckmann, Art's Ironist, Crisis and Rediscovery

A real vigor emerges in this exhibition at the Neue Galerie, which focuses on the painter’s unflinching Weimar scenes.

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Max Beckmann's Singular Path

His attitude toward his fellow humans ricocheted between admiration and affection, frustration, fury, and horror at times all in a single painting.

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Frankfurt-am-main
Hessen
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Poland
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Paris
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