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Transcripts for BBCNEWS BBC News 20240604 15:13:00

we have seen murdered psni officers, these data breaches must be causing real concern for the authorities. absolutely because here in northern ireland and matters for many police officers to keep what they do, do they work for a secret from many of their friends and indeed some of even family members so this latest incident is causing alarm. the police officers, of course, are under threat from dissident republicans. what we know so far as on thursday afternoon, a psni officer s notebook and laptop fell from the top of a moving vehicle on a stretch of motorway on the north of the city of belfast. sections of the notebook were recovered. immediately recovered and what is described as the activated but some other parts of the notebook are still missing and the psni say those affected have been contacted but it comes just on the back of a very

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Transcripts for BBCNEWS This Cultural Life 20240604 02:37:00

of belfast, creatively, is a return to the sort of creative spirit of that kid. well, we re here to talk about the big influences that have shaped your life, made you the artist that you are today. and we ve asked you to choose some of your formative works and moments tell us about your first choice. well, when i was about 1a or 15, i was at meadway comprehensive school in reading where we moved to. and in the english stockroom, which i would pass, the door was open a lot, there d be endless textbooks, perhaps more than there are these days! but i saw two long playing records, as they were, one was the ages of man by sirjohn gielgud. i d never heard of either the phrase ages of man orjohn gielgud, and the other was laurence olivier, extracts from shakespeare films with music by sir william walton, and i asked our head of

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Transcripts for BBCNEWS This Cultural Life 20240604 09:38:00

in a way, the writing of belfast, creatively, is a return to the sort of creative spirit of that kid. well, we re here to talk about the big influences that have shaped your life, made you the artist that you are today. and we ve asked you to choose some of your formative works and moments. tell us about your first choice. well, when i was about 1a or 15, i was at meadway comprehensive school in reading, where we moved to. and, erm, in the english stockroom, which i would pass, the door was open a lot, there d be endless textbooks, perhaps more than there are these days! but i saw two long playing records, as they were, one was the ages of man by sirjohn gielgud. i d never heard of either the phrase ages of man orjohn gielgud. and the other was laurence olivier, extracts from shakespeare films, with music by sir william walton. and i asked our head of english

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Transcripts for BBCNEWS This Cultural Life 20240604 21:38:00

back to having a place in a larger group that i found more comfortable, where somehow burdens were shared, and so, for me, yes, it s taken a long time to sort of return. in a way, the writing of belfast, creatively, is a return to the sort of creative spirit of that kid. well, we re here to talk about the big influences that have shaped your life, made you the artist that you are today. and we ve asked you to choose some of your formative works and moments. tell us about your first choice. well, when i was about 1a or 15, i was at meadway comprehensive school in reading where we moved to. and, erm, in the english stockroom, which i would pass, the door was open a lot, there d be endless textbooks, perhaps more than there are these days! but i saw two long playing records, as they were, one was the ages of man by sirjohn

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Transcripts for BBCNEWS This Cultural Life 20240604 02:37:00

in a way, the writing of belfast, creatively, is a return to the sort of creative spirit of that kid. well, we re here to talk about the big influences that have shaped your life, made you the artist that you are today. and we ve asked you to choose some of your formative works and moments. tell us about your first choice. well, when i was about 1a or 15, i was at meadway comprehensive school in reading where we moved to. and, erm, in the english stockroom, which i would pass, the door was open a lot, there d be endless textbooks, perhaps more than there are these days! but i saw two long playing records, as they were, one was the ages of man by sirjohn gielgud.

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