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The Iceberg) grapple with this question of how grief threatens to obliterate language and erase the boundaries of selfhood and of time. The dead are not gone; time has ceased and time continues; the relationship is not over. Hisham Matar writes in his intensely moving requiem for his father, The Return, that “my father is both dead and alive. I do not have a grammar for him. He is in the past, present and future.” In her slender, anguished meditation on the loss of her father, Chimamanda Ngozi Adichie immediately confronts the painful difficulty of expressing “grief’s core” and finding a tense in which to write about someone who is utterly gone and yet vividly present. In the first pages of

Jacques derridaEmily dickinsonMarion couttsHelen macdonaldChimamanda ngozi adichieJames nwoye adichieHisham matarBlake morrisonWhen did you last see yourNwoye adichieஎமிலி டிக்கின்சன்மரியன் கொட்டஸ்ஹெலன் மெக்டொனால்ட்ஹிஷாம் மாதர்பிளேக் மோரிசன்எப்பொழுது செய்தது நீங்கள் கடந்த பார்க்க உங்கள்