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Rolling Stone Phish Lyricist Tom Marshall on 35 Years of Writing With the Band
Marshall traces Phish’s rich history in the new podcast ‘Undermine.’ Here, he opens up about his deep friendship with Trey Anastasio and what happens on their songwriting retreats
By Jake Silco
Tom Marshall met Trey Anastasio in the eighth grade in Princeton, New Jersey, and they’ve been making music together ever since. Marshall is the lyricist behind some of Phish’s most well-known staples, including “Wilson,” “Bouncing Around the Room,” “Chalk Dust Torture,” “Sample in a Jar,” “Rift,” and more. He has writing credits from the mid-Eighties all the way through
like five or six than ten or 12. i m guessing the names won t be too surprising. if you look at who is up there now. thank you all for being with me. thanks for joining us. happy to have you with us. first things first. we must poof one of the record breaking things about the democratic presidential field this year is that there are more women running for president in this field than have ever run for president in any one field before. it s been a landmark thing. it s been kind of inspiring to see six women up on the stage among the democratic contenders at the first two presidential democratic debates. six women running. they are a diverse bunch. they run the gamut in terms of their numbers on the ideological number line, their experience, platforms they are running on.
happy to have you with us this fine wednesday night. first things first, we must poof, one of the record-breaking things about the democratic presidential field this year is that there are more women running for president in this field than have ever run for president in any one field before. it s been a landmark thing. it s been kind of inspiring to see six women up on the stage among the democratic contenders at the first two presidential democratic debates. six women running and they are a diverse bunch. they run the gammit on the number line, style, platforms. they run the in the chances of winning this thing as far as we can predict at this point, but you know, from marry ann will m williamson to elizabeth warren and kamala harris, this has been a history-making six woman panel
physically. so i think some of what he did in those years was to kind of fill the time and feel that he was he felt he still had something to contribute and something to tell us, and he certainly did. linda, i also wanted to ask you about this idea that the court sort of shifted around him, which is the way that he described it. he never described himself as having changed in his position on the ideological number line or having become more liberal, even though he was nominated by a republican by a republican president and ultimately was seen as a leader of the liberal wing. what was he like in terms of comity among the justices, in terms of, you know, as as the makeup of the court changed during his decades on the bench. what was he like in terms of putting together majorities, putting together consensus, what was he like in those conferences with the other judges? well, i think in the early years the sort of knock on him
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