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Daniel Bedingfield reveals the heavy toll fame took on his mental health ahead of comeback

Spiritualized stay psychedelic, Bob Vylan get angrily political – the week s best albums

Moby Just Wrote a Vegan Cookbook And All Proceeds Go to Rescue Animals

Moby Just Wrote a Vegan Cookbook And All Proceeds Go to Rescue Animals
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Riley Clemmons Talks Journey To Godsend Album in an Exclusive Interview : Music : BREATHEcast

What if every broken place I ve been was a Godsend.  This lyric from the title track of Riley Clemmons second full-length release represents the core of a creative vision that came to her nearly two years before the arrival of her new album,  Godsend. The thought-provoking concept sent Riley on a journey through a twelve-track realization that with each of life s challenges comes a gift and ultimately, a  Godsend. The new record is a meticulously crafted, authentic album, with soundtrack-worthy production that features Riley s skyscraping vocal performances-an undeniable pop sound that fits seamlessly with its overarching theme. Riley collaborated over ZOOM with producer Tedd T [for KING & COUNTRY, Mutemath] during the album s creation and soaked up inspiration from numerous co-writers such as Emily Weisband, Paul Duncan, and more, working to retrofit the music to the title it spawned. She set the stage for 

SoundBites (Weed, Male Bonding, Pyramid, Blind Pilot)

With Drug/Eighty The Vancouver based lo-fi/indie rock band Weed has followed up their 2010’s fuzzy soundscape entitled Down in the Valley EP, which pushed them into the forefront of British Columbia’s promising music scene, with With Drug/Eighty. Even though the EP is limited to two new tunes, Weed brilliantly infuses moody summer vibes and Weezer-like powerchords throughout the short, but sunny take on rough 90s pop. Both tracks “With Drug” and “Eighty” showcase their ability to bait their audience with bursts of vocal hooks, but never leave them wanting. The verses of these songs are treated with care and concern before the big hooks are released on the chorus. These verses are as good as – and in the case of the wildly jump verse of “With Drug,” more interesting than – the chorus that follows.

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