where d you get those? a machine, you want one? no. you come home, turn on that television. take one. i don t want one. no, they re good. i don t want it. what do you want? you want comedy. take one. no, kramer, stop it! and boom, there you go. a situation comedy. there s 23 minutes of magic. it s so tasty, too! you fell in love with these characters. what you talking about, willis? we need to laugh at ourselves. you hide my clothes, i m wearing everything you own. laughter opens you up. okay, ready? no! no! things that we might be afraid to talk about. some people that were supposed to protect us didn t do the right thing. like racism. so the cops are the bad guys? yes. no. class wars. and gender diversity. hi, girls. you can reach in and really touch people s hearts. i hate you. are you as turned on as i am? more! whether it s a family living under the same roof dynomight! now that s the kind of talk i
really good at talking about individual social issues in the way we hand seen sense norman leary and leads us to the free boot of norman leer s 70 s classic one day at a time. i get it we re cuban. follows three generations of latinos everything that we would get into as a normal family but then tackle as lot of things going on in the world normally seen as taboo, like year issues where are we with the idea. it s a good idea to latino a and say, i like girls our family has something in common there s ptsd with the mom, there s anxiety and aggression what did he call you saw me and yelled build wall. think it allows audiences to have those conversations in their living rooms
cnnheroes.com now. this week, on an all new episode of history of the sitcom we take a look how different sitcoms tackle race and representation over the years. we must set higher goals. we must set higher goals. in the 1970s, carmichael was one of the black panthers and some of his panthers into the office. there is three guys that want to see the cgarbage man. they said you got this poor black family on good times. all black people aren t poor like that. this is a real misrepresentation. we have a black family next door, and then we decided move them on up. patrick dpoegomez is here wie now the executive editor of entertainment week weekly. we see norman leary.
unapologetic about it. so, next saturday, when you turn 13, you re becoming a man, too. a black man because i m throwing you an african rights of passage ceremony. that does not sound as fun. no, it does not. blackish was good about talking about individual social issues. that leads us right up to the reboot of norman leary s 1970s classic one day at a time . i get it. we re cuban. follows three generations of latinas. everything we would get into as a normal family and tackles a lot of things going on in the world that are normally seen as taboo like queer issues. where are we with the idea of telling him? how do you greet my latino veteran dad as hey, i like girls. our family has something in
teach me to be common, joe. bring me down to your level. the show like facts of life is the beginning of the very special episode. i never think my best friend is white. i just know my best friend is natalie. when you look at tootty and natalie, you re looking at friendship and love. that supersedes race. [ applause ] the norman leary shows in the 70s may have been teaching us lessons but it wasn t so overt. i m looking for blare warner. you must be her cousin, jerry. yeah. the only time i ever saw a child with a disability on television, the kid was on a telethon. the cousin on facts of life . see i had this made. it says i don t have cerebral