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Graham Foundation Awards $471,500 in Grants

Graham Foundation Awards $471,500 in Grants
architectmagazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from architectmagazine.com Daily Mail and Mail on Sunday newspapers.

Wood Framing is Both an Egalitarian and Open System : In Conversation with US Pavilion Curator Paul Andersen at the 2021 Venice Architecture Biennale

Copy The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.

Venice Biennale 2021: Best of the rest

Exhibition presents Brendan Fernandes Inaction, an exploration of collective action and solidarity

Exhibition presents Brendan Fernandes Inaction, an exploration of collective action and solidarity Brendan Fernandes, Free Fall: for Camera, 2019, video still. Image courtesy of the artist and Monique Meloche, Chicago. VANCOUVER .-Richmond Art Gallery is presenting the timely exhibition Inaction, a new solo show by renowned Canadian contemporary artist Brendan Fernandes on display from February 12 to April 3, 2021. The exhibition, co-produced with the Ezra and Cecile Zilkha Gallery at Wesleyan University, is RAG’s first collaboration with a U.S. based institution. Inaction addresses violence against queer and POC bodies, as well as the potential for change through collective action. “The social upheavals of 2020 catalyzed the global conversation around human rights and equality,” says Shaun Dacey, RAG director and the exhibition’s curator. “Inaction reflects on the continued visible and invisible impacts of hateful rhetoric on marginalized bodies. More than ever, it is

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