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Godzilla 98 Stomps Back Onto 4K With New 25th Anniversary Steelbook

Godzilla 98 Stomps Back Onto 4K With New 25th Anniversary Steelbook
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Hear me out: why 1998 s Godzilla isn t a bad movie

Hear me out: why 1998 s Godzilla isn t a bad movie Edward Tew © Provided by The Guardian Photograph: Associated Press Some may regard the use of a line like “We’re in his mouth!” as an indicator of a film’s less than stellar quality. The sort of on-the-nose dialogue, they would say, that should be nowhere near the final cut. The fact the same line is immediately repeated for wholly unnecessary added emphasis, considering it comes from a character quite obviously in the jaws of 300ft radioactive reptile, is, to those same joyless people, an even more egregious indictment. To me, however, it’s exactly this kind of silliness that makes the 1998 Roland Emmerich film Godzilla, much better than almost everyone would have you believe.

Godzilla movie review & film summary (1998)

CANNES, France Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter s Basilica. It s a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival s closing film, coming at the end like the horses in a parade, perhaps for the same reason. It rains all through the Godzilla, and it s usually night. Well, of course it is: That makes the special effects easier to obscure. If you never get a clear look at the monster, you can t see how shoddy it is. Steven Spielberg opened Jurassic Park by giving us a good, long look at the dinosaurs in full sunlight, and our imaginations leapt up. Godzilla hops out of sight like a camera-shy kangaroo.

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