Vietnam war is about americans. Sreenivasan and its friday. Mark shields and david brooks are here to talk Hillary Clintons election tellall, and President Trumps deal with the democrats. All that and more, on tonights pbs newshour. Major funding for the pbs newshour has been provided by moving our economy for 160 years. Bnsf, the engine that connects us. The ford foundation. Working with visionaries on the frontlines of social change worldwide. And with the ongoing support of these institutions and friends of the newshour. This program was made possible by the corporation for public broadcasting. And by contributions to your pbs station from viewers like you. Thank you. Sreenivasan British Police launched a major manhunt after a homemade bomb exploded on a subway train in southwest london. The Islamic State group claimed responsibility, and the British Government raised the threat level to critical, meaning another attack could be imminent. Paraic obrien of independent Television News
Vietnam war is about americans. Sreenivasan and its friday. Mark shields and david brooks are here to talk Hillary Clintons election tellall, and President Trumps deal with the democrats. All that and more, on tonights pbs newshour. Major funding for the pbs newshour has been provided by moving our economy for 160 years. Bnsf, the engine that connects us. The ford foundation. Working with visionaries on the frontlines of social change worldwide. And with the ongoing support of these institutions and friends of the newshour. This program was made possible by the corporation for public broadcasting. And by contributions to your pbs station from viewers like you. Thank you. Sreenivasan British Police launched a major manhunt after a homemade bomb exploded on a subway train in southwest london. The Islamic State group claimed responsibility, and the British Government raised the threat level to critical, meaning another attack could be imminent. Paraic obrien of independent Television News
My choice was to get as close to the action in vietnam as i possibly could. I was writing features about kids from fort worth. It is the single most rewarding thing i ever did in all my years in journalism because this would brighten up their day that someone from their hometown would look them up. My best pictures were not on the periphery of the fighting but were woven through it. The kind of pictures i took showed people waiting for something to happen. I basically tried to block out the emotional side of it in the early years, because i really believe that the journalism of detachment was what war coverage was all about. I was very jingoistic when i got there in the beginning. When i got back, i was convinced the war, whatever our good intentions, simply could not be won. Part of the reason i have always done it is a sense of wanting to be where the action is. In the bigger theater, we cast a light in dark corners around the world that you would not see without photographers. So, t
My choice was to get as close to the action in vietnam as i possibly could. I was writing features about kids from fort worth. It is the single most rewarding thing i ever did in all my years in journalism because this would brighten up their day that someone from their hometown would look them up. My best pictures were not on the periphery of the fighting but were woven through it. The kind of pictures i took showed people waiting for something to happen. I basically tried to block out the emotional side of it in the early years, because i really believe that the journalism of detachment was what war coverage was all about. I was very jingoistic when i got there in the beginning. When i got back, i was convinced the war, whatever our good intentions, simply could not be won. Part of the reason i have always done it is a sense of wanting to be where the action is. In the bigger theater, we cast a light in dark corners around the world that you would not see without photographers. So, t
My choice was to get as close to the action in vietnam as i possibly could. I was writing features about kids from fort worth. It is the single most rewarding thing i ever did in all my years in journalism because this would brighten up their day that someone from their hometown would look them up. My best pictures were not on the periphery of the fighting but were woven through it. The kind of pictures i took showed people waiting for something to happen. I basically tried to block out the emotional side of it in the early years, because i really believe that the journalism of detachment was what war coverage was all about. I was very jingoistic when i got there in the beginning. When i got back, i was convinced the war, whatever our good intentions, simply could not be won. Part of the reason i have always done it is a sense of wanting to be where the action is. In the bigger theater, we cast a light in dark corners around the world that you would not see without photographers. So, t