Movies i made him and i heard all sorts of fantastic stories about how james had to hang around with these south london gangsters and learn to box and you know learn the parlance and be one of the chaps so in. The premise for performers is that. To gangsters of being asked to all dition for donald camel for this nineteen sixtys art film and basically you have these two chaps in and theyre very alien and uncomfortable environment for them sitting in a director in a car scene directors waiting room about all dition and its about the parlance between them and how they you know the discussions and how they put the world to rights where they chat and then and then down the camels assistance turns up and starts soaking them so them about burn well and Francis Bacon and nick rogue and then. It was the with the codirector of performance but it was set more down the camel film. But hes assistant comes in and basically talks them about high art and tries to get to strip naked which you know they
About high art and tries to get to strip naked which you know they they do or dont do which is on and thats really thats where that is and what we get into the nexus between the gangsters and the and the politics and all the rest in a second but so your reaction to her performance watching the film similar to that of the reaction from over the world. Oh its a cold movie ive seen a bunch of times i saw it last i saw it was. Every time its on as a prince you know they showed the electric in portobello road about two years ago and i went with me on a boat is a friend of mine the playwright we both went to see that the print of performance that you know that tied up another print because the film was banned and then and then and then and then it actually seemed projected is a bit of a tree but and then it was reality didnt some bits were cut out so that sometimes the the version isas the easy broadcast doesnt have a lot of the scenes in the movie so violent spiteful scenes in it. I mean it
That. To gangstas of been asked of all dition for donald camel for this nine hundred sixty s. Art film and basically you have these two chaps in an in their very alien and uncomfortable environment for them sitting in a director in a carson directors waiting room about to vision and its about the parlance between them and how theyre you know the discussions and how they put the world to rights where they chat and then and then don the camels assistance turns up and starts soaking them so them about bun well and Francis Bacon and nick rogue and then no no no and it was the was the codirector of performance but it was a set more done a camel film. But hes assistant comes in and basically talks them about high art and tries to get to strip naked which you know they they do or dont do which is on this thats really thats where that is what we get into the nexus between the gangsters and the and the politics and all the rest in a second but so your reaction to her performance watching the fi
Us. Im Afshin Rattansi were going underground ahead of tomorrows vote in bolivarian revolution revenge as well are held in the shadow of threats from washington of strong and swift economic actions coming up on the show stocks and theyve broken economy we speak to actor and director nick moran about his upcoming Edinburgh Fringe play performers written by of in welsh and whether the real gangsters are in the city of london and while britains privatized British Airways faces yet more strike action could we learn from iran whose National Carrier just appointed a female c. E. O. Well ask one of the Islamic Republics senior clerics if western sanctions benefit the nations they target plus who is and hes going to move anyway all the simple coming up in todays going underground but first in the past twenty four hours donald trump and barack obama dont chevron the Oil Multinational released results to the New York Stock Exchange the company infamous for allegations that it is responsible for