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Just seconds into my phone call with Shane Tutmarc, I tell him I’ll do my best to not inundate him with questions about Seattle. We both lived in the city in the early 2000s. I covered music at the popular alt-weekly
The Stranger, and he had just started to play baroque-pop music around town under the moniker Dolour.
Now that we’re meeting again, several years after we separately and coincidentally moved to Nashville, it feels impossible to not at least dip a toe into the pool of Pacific Northwest nostalgia.
“You wrote the ‘Shane is leaving Seattle for Nashville’ article for