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Native Son: Restoration of suppressed film starring, co-scripted by author Richard Wright

The suppressed 1951 film version of Richard Wright’s 1940 novel Native Son was released in virtual cinemas recently in a restoration presented by Kino Lorber in association with the Library of Congress, Fernando Martín Peña, and Argentina Sono Film. The film was also aired by Turner Classic Movies (TCM) this past weekend. Shot primarily in Buenos Aires, Argentina with some exterior location shots done in Chicago, the movie was directed and co-written by Pierre Chenal, a Belgian-born director associated with French poetic realism. Richard Wright in Native Son (1951) In addition to co-adapting his own novel for the screen, Richard Wright performed the lead role as the ill-fated Bigger Thomas, a poor young black man in Chicago. Deeply oppressed and driven by intense fear, Bigger quickly becomes ensnared in a true American tragedy.

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Börsenrekord: Bitcoin, Gamestop, Tesla: Elon Musk wird zur Symbolfigur der neuen Börsenmanie

Börsenrekord: Bitcoin, Gamestop, Tesla: Elon Musk wird zur Symbolfigur der neuen Börsenmanie
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Tarnished Gold - Harvey Klehr, Commentary Magazine

Tarnished Gold At a time when Communism continues to maintain a patina of coolness despite the tens of millions murdered by its adherents and the billions who have lived under its tyrannies, Patrick Chura has written a sympathetic biography of American Communism’s foremost literary hatchet man. Michael Gold: The People’s Writer is a volume in the SUNY series in Contemporary Jewish Literature and Culture. Chura, a professor of English at the University of Akron, offers a pro forma mea culpa by admitting that Gold might have been wrong in his idolization of Stalin before asserting that American Communists like Gold were “collectively, a peaceful, democratic, and consistently progressive force for good in United States social history.” Gold’s life and work supposedly offer lessons for today on how to defeat “racism, anti-Semitism, fascism, and xenophobia.” Such praise is not warranted, not for Gold and not for the CPUSA.

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Vom Wert, Mehrwert, Gebrauchswert – und einem Eimer voller Kohlen

Vom Wert, Mehrwert, Gebrauchswert – und einem Eimer voller Kohlen
heise.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from heise.de Daily Mail and Mail on Sunday newspapers.

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Lawrence Gellert, Black Musical Protest & White Denial: An Interview With Steven Garabedian

AL: African-American culture contains a treasure trove of wonderful music. Yet there is this entire category of song that seems to have disappeared from history. I’m thinking about the song In Atlanta, Georgia with the line, “I’m gonna get me a pistol and hide behind a tree / shoot everybody been messin’ with me.” This is a lyric with a far different sentiment than “We Shall Overcome,” but I don’t know that many people have ever heard it. What kind of songs did Gellert uniquely bring forward? SG: Yes, your question called to my mind the book We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement by Akinyele Omowale Umoja. And I certainly take your point. The strident I’ll use the term “radical” nature of the some of the lyrics in the Gellert field archive is precisely what raised eyebrows, approvingly and disapprovingly. It seemed new and different. That is, the songs appeared so distinct from a “We Shall Overcome” sentimen

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