film profile] (2016) was the opening title of IDFA 2016.
Commenting on his project, Hendrikx said: “One day I started to randomly film people on the street, in silence. I was looking for an adventure. Some years later I revisited the material. The tension and strange drama, the underlying power relation between the one behind and in front of the lens, and the opportunity to explore the medium of film itself made me decide to take the project on in a more serious manner. I believe the vast majority of documentaries are exploiting extraordinary subjects in ordinary forms. With this film, I simultaneously attempted to subvert that contemporary documentary formula.”
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The 15th edition of Books at Berlinale, the annual books-to-film event for film producers and literary agents, will be a digital affair with 10 books to be pitched for possible film development.
The iconic Berlinale Bear. Image: Ines Bachor
Producers: Registration Ends Monday
Our
Publishing Perspectives readers are quite familiar with the annual Books at Berlinale event that annually brings literary agents and rights professionals together with film producers, directors, scouts, and others for a late-winter afternoon at the Berlin International Film Festival.
This year’s event from Frankfurter Buchmesse and the Berlinale Co-Production Market is set for March 4 and will again involve literary agents and others pitching a curated list of titles to filmmakers for their consideration. In the widening world of words-to-screen rights competition, publishers tend to watch closely to see what’s being offered as a clue to where the market lies and then follow to see what gets picke