It began back in October last year, with
Honest Thief, in which Ballymena s favourite son played an ageing safe-cracker, newly in love, attempting to give back the loot he had stolen to a couple of clearly dodgier-than-a-bag-of-weasels FBI agents who, predictably enough, would rather have kept the cash for themselves than see it in the hands of the bankers and shysters Neeson had nicked from.
Honest Thief was the sort of film that was only saved from utter forgettability by being so implausibly daft that it raised more laughs than most of the alleged comedies I ve sat through so far this year.
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