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Defending diversity and democracy

Savagery swirls through recent days, with increasing darkness every night. Yet, I don’t want to get fired up, I want to turn off, tune out, and find some…

Defending diversity and democracy

Defending diversity and democracy
gananoquereporter.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gananoquereporter.com Daily Mail and Mail on Sunday newspapers.

Defending diversity and democracy

Defending diversity and democracy
trentonian.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from trentonian.ca Daily Mail and Mail on Sunday newspapers.

Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More | Interviews

“Now that I’ve met you, would you object to never seeing me again?” This heartbreaking line, lifted from Aimee Mann’s song, “Deathly,” is delivered by Claudia Wilson Gator (Melora Walters) to her date, officer Jim Kurring (John C. Reilly), in Paul Thomas Anderson’s 1999 masterpiece, “Magnolia.” The molestation Claudia endured at the hands of her father, Jimmy (Philip Baker Hall), has led her to feel unworthy of love, while using drugs to quell her pain. As a freshman in high school, “Magnolia” was the film that opened the floodgates for me to the limitless possibilities of cinema, and it was also one of the first movies my girlfriend and I chose to watch during the initial weeks of this year’s ongoing COVID-19 lockdown. Just over two decades since its December 8th premiere, Anderson’s achingly personal epic is timelier than ever, as its ensemble of alienated characters suddenly find themselves intrinsically connected once a sudden and bizarre act of nature u

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