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Amélie The Musical at the Criterion Theatre

Amélie the Musical review – kindness, kooks and kissing cellos in the city of love

Garth Drabinsky brings pre-Broadway musical to Chicago

Garth Drabinsky brings pre-Broadway musical to Chicago
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A Killer Party review – Jason Manford hosts cheery, tuneful murder mystery

Last modified on Sun 9 May 2021 19.03 EDT Blackpool impresario Varthur McArthur has a doozy of an idea for a new show, a circus/seafaring whodunnit subtitled Death on the High Seas Trapeze. He assembles his cast for dinner, and – one power cut later – ends up dead, his face planted in a bowl of soup. Oh, the irony! But this lurid twist is merely an aperitif at A Killer Party, a cheerfully camp murder mystery musical for home viewing that made waves in the US last year. Recorded by an isolated cast, and spliced together ingeniously in Benji Sperring’s UK production, it is (judging by the first three of nine episodes) preposterous, barely coherent, likably silly and undeniably hummable.

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