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Everyone Who Has Been Banned From The Oscars By The Academy (& Why)
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Over the Moon and
The Willoughbys, both of which have fallen out of the race. So has the sixth longlisted film, Dreamworks Animation’s
The Croods: A New Age.
In recent years, Disney hasn’t dominated this category as decisively as at the Oscars or Golden Globes: it has won the BAFTA in two of the last six years. But this is the first time since 2014 that it has accounted for the majority of the nominees, and
Soul, fresh from winning at the Globes, goes into this award as the favorite. The film has picked up two additional nominations, for best original score and best sound.
Rocks, and
The Father lead this year’s nominations, with two women Chloé Zhao and Sarah Gavron nabbing seven nominations each. Four women total earned nods for directing compared to last year’s all-male directing nominees, and in a reversal from last year’s entirely white acting nominees, 16 of 2021 s 24 nominated actors are from underrepresented groups.
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Deadline, the changes come as the result of a seven-month review process (HFPA better be taking some copious notes), in which the organization evaluated its procedures and implemented some changes, “including the introduction of a long-list system in a bid to increase viewership of all the submitted films, and increasing all four acting categories and the best director category to six nominees.” A total of 50 films (up from last year’s 39) were nominated this year, and the changes additionally resulted in more first-time nominees than ever before: Four of the six directors nominated, as well as 21 of th
Creating VFX Waves for Tom Hanks Battle at Sea in Greyhound
Jazz Tangcay, provided by
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An unrelenting cold Atlantic Ocean, huge waves and overcast weather were the elements for the Tom Hanks drama “Greyhound.”
While much of the film was built on soundstages in Louisiana and on the decommissioned USS Kidd, visual effects came into play for the film’s main battle sequence. Hanks plays Commander Krause, the officer who has to defend his ship and its convoy of vessels as it comes under attack from U-boats in the Battle of the Atlantic.
“This shot perfectly encompasses everything we were trying to achieve in the recreation of the North Atlantic for “Greyhound,” say DNEG visual-effects supervisors Nathan McGuinness and Pete Bebb. “The first challenge was to determine the look of the ocean this is essentially another character in the narrative that had to be developed. The ocean is determined by weather so capturing the correct weather was impera
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