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“The best defence against the ‘terror of history,’ next to religious experience,” Mircea Eliade wrote in the second and last volume of his memoirs (Exile s Odyssey), “is spirituality, creation, culture.” He would have need of all four in his last three years in Romania and the war years which followed, during which he lost both his revered Master and his beloved wife Nina. But they were also the years in which the seeds were sown for the work which would make him famous outside of his homeland. Eliade was already working on the studies of religion which would cement his later reputation as a scholar rather than a novelist, when he went on a summer holiday with his wife Nina. The ‘Notebook of a Summer Vacation’ which he produced at this time shows him both as an inveterate scribbler and an accomplished travel writer; and a curious passage written by the Danube reveals his twin obsessions of the late Thirties. Discussing his aversion to s

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