described as a trick artist, but i don t consider trick art to be my main work. i do definitely utilize illusion. your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actually part of his 2011 exhibit called goldfish salvation in london s icn gallery.
your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actually part of his 2011 exhibit called goldfish salvation in london s icn gallery. the curator and director of the exhibit that boasts the largest resin creation.
illusion. your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. a depth of field. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actually part of his 2011 exhibit called goldfish salvation in london s icn gallery. the curator and director of the
satisfied. until it becomes three-dimensional. i would keep adding layers. the result blurs the line between what is real and what is perception. his fish look so true to life they are frequently mistaken for the real thing. translator: i have been described as a trick artist, but i don t consider trick art to be my main work. i do definitely utilize illusion. your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actu
your brain takes what you see on the surface of the water and makes you think that the object you re seeing has been compressed. my goldfish don t have any thickness. people automatically imagine the depth and feel. perfecting this intricate illusion takes years of painstaking trial and error. translator: there would be pieces where i had spent months to make and just as i put in the last layer, it would get destroyed. for each layer of resin, my heart is contracting little by little, making sure that no air is getting in. sweating while doing that. don t blink. these 100 goldfish swimming through rippled water are actually part of his 2011 exhibit called goldfish salvation in london s icn gallery. the curator and director of the exhibit that boasts the largest resin creation.