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Служба горно-геологического мониторинга ЗРТ ГХК отметила 60-летний юбилей
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Приложение - Коммерсантъ Business Guide (133706) - «Антиковидная» экономика
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As a former builder turned Empty Homes Officer, I realised that the key to encouraging people to restore empty homes was to make it affordable. The owners I was working with were generally people who had inherited run-down properties they couldn’t afford to restore, and families on limited incomes who were drawn to the isles for quality of life and had bought an empty home that needed renovation.
Working with contractors and suppliers, I developed a discount programme with these companies for owners of empty homes which has been very successful. When combined with the fiscal benefits and incentives supported by the Scottish Empty Homes Partnership, such as the VAT discount, this programme brought the prospect of bringing back empty homes within reach for many individuals and families.
“max fac”
When referring to the Brexiters’ preferred partnership use maximum facilitation at first mention, then “max fac” (quotes on first use). Adjectival use requires a hyphen, eg the max-fac option.
maxidress
may or might?
The subtle distinctions between these (and between other so-called modal verbs) are gradually disappearing, but they still matter to many of our readers and can be useful.
may implies that the possibility remains open: “The Mies van der Rohe tower may have changed the face of British architecture for ever” (it has been built);
might suggests that the possibility remains open no longer: “The Mies tower might have changed the face of architecture for ever” (if only they had built it). Similarly, “they may have played tennis, or they may have gone boating” suggests I don’t know what they did; “they might have played tennis if the weather had been dry” means they didn’t, because it wasn’t.
Even though it’s been nearly three decades since I joined the
Observer, if I close my eyes I can still see my colleagues from yesteryear …
Jane Bown looking at a contact sheet by the lightbox, using her monocle eyeglass. Motorcycle couriers flirting with picture researchers. Reporters massaging the egos of alpha-male photographers, vying to become the next Don McCullin, the great photojournalist whose career began here. Men in shabby suits from now-defunct picture agencies, cigarette in hand as they hawked photo-essays from battered suitcases. The picture librarian ferrying files of black and white prints to the man who was at the centre of everything, the revered picture editor, Tony McGrath.
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