are just kind of on the runway that we re trying to decide. but it s a. you know, as you pointed out, it s a multi year multi picture film deal. so we rejust kind of lining up what we think the first ones will be and probably should know within the next two or three months. are we talking hundreds of millions of dollars, tens of millions? it varies. there s some. there s one great, really terrific thriller that s probably in the $50 $70 million range. the big one will be in hundreds of millions of dollars range if it all comes to fruition. so, you know, for us, it s really what s the best version of the story. and sometimes a movie costs 30 and sometimes it costs 200. now, apparently you have full green light authority at netflix, meaning you can move any pitch into production without needing the sign off of corporate bosses. how do you decide which films to back? i mean, is it decades of well honed instinct, or do you look at the data and see what sells? it s. listen, i have a great
protecting the movie business, protecting how that great storytelling moves us generationally and makes us want to do it. and, yes, it s changing. i wish that friday night, the movie at the movies was still as important as was when i was 19. and it s changing, because there s video games and there s phones and there s tik tok and all these things. but, really, what we have to do is protect the movie business, and how do we make young generations come through and be the next steven spielberg? and so that s what we re all working together, and he s a great thought partner, and ifeel really lucky to have him by my side and making movies with him, and i hope to get him behind the camera for us one day. and what films is he working on? can you give us any details? and what budget will he have? you know, it s whatever the story will tell. i mean, we re talking about a lot of different things. we have a big, big movie that we are just actually putting in development that we re talking about,
but, really, what we have to do is protect the movie business, and how do we make young generations come through and be the next steven spielberg? and so that s what we re all working together, and he s a great thought partner, and i feel really lucky to have him by my side and making movies with him, and i hope to get him behind the camera for us one day. and what films is he working on? can you give us any details? and what budget will he have? you know, it s whatever the story will tell. i mean, we re talking about a lot of different things. we have a big, big movie that we are just actually putting in development that we re talking about, which would be very expensive and a big kind of world creation film. and then we ve got a couple that are just kind of on the runway that we re trying to decide. but it s a. you know, as you pointed out, it s a multi year multi picture film deal. so we rejust kind of lining up what we think the first ones will be and probably should know within th
can you give us any details? and what budget will he have? you know, it s whatever the story will tell. i mean, we re talking about a lot of different things. we have a big, big movie that we are just actually putting in development that we re talking about, which would be very expensive and a big kind of world creation film. and then we ve got a couple that are just kind of on the runway that we re trying to decide. but it s a. you know, as you pointed out, it s a multi year multi picture film deal. so we rejust kind of lining up what we think the first ones will be and probably should know within the next two or three months. are we talking hundreds of millions of dollars, tens of millions? it varies. there s some. there s one great, really terrific thriller that s probably in the $50 $70 million range. the big one will be in hundreds of millions of dollars range if it all comes to fruition. so, you know, for us, it s really what s the best version of the story. and sometimes a mov
want to do it. and, yes, it s changing. i wish that friday night, the movie at the movies was still as important as was when i was 19. and it s changing, because there s video games and there s phones and there s tik tok and all these things. but, really, what we have to do is protect the movie business, and how do we make young generations come through and be the next steven spielberg? and so that s what we re all working together, and he s a great thought partner, and ifeel really lucky to have him by my side and making movies with him, and i hope to get him behind the camera for us one day. and what films is he working on? can you give us any details? and what budget will he have? you know, it s whatever the story will tell. i mean, we re talking about a lot of different things. we have a big, big movie that we are just actually putting in development that we re talking about, which would be very expensive and a big kind of world creation film. and then we ve got a couple that are j