[music] 40 miles to a tank of gas or a loaf of bread. i got here pretty much everything is five hours away. [music] looks the property has been in the family how many generations now? my granddad came here in the 30s. cannot hear in 1880. not a lot of people get to do this. the ranch is approximately 70,000 acres. we don t use anything other than ours. no full release. no helicopters. greg is a little stubborn. sorry practicality. he is so opposed to change. it s all bad is it? these guys they love it. they get up every morning and this is their office . [cows moving] [cows moving] he got his teeth kicked out by a cow. knock them all out again. hey! hey! hey! there goes evan. how old were you when you learn to ride? i ve had a horse and i was like three. evan shows horses all over. top five in the world right now. you have to show how well your horse can do. differentmaneuvers . ask how old? he s 10. watch this. there is not hilarious? [music]
and the humiliation that s come with that here in front of the whole nation. tonight we begin with how we got here, because everyone s been absorbing the days of chaos, headlines about the failure of the republican majority to get its work start in the its new congress. a story that really goes beyond politics and it s reaching people who don t always follow the swearing in or the speaker s race. if you approach this with fresh eyes as many americans have, saying what s going on over there? you may wonder why the big chaotic fight continues with rolling losses for republicans. why is it happening at the finish line of a win for the gop in the midterms? and why is the big fight in washington within one party, not between one of the typically warring factions between parties? there are many factors but three reasons loom large. first a crop of republicans who are more focused on hijacking than running. second, this trump internet industrial complex that puts the content, the tr
gratification. you kick the door in guns blazing and whatever happens happens. stop that, he s not my dad. sketches are a really fun way to talk about the culture with a quick turnaround. and i sketch you are satirizing life. satirizing. no, satirizing. my brain hurts. when you know people are improvising you are on the edge of your seats. everything you see tonight is being made up on the spot, we can t stress it enough. where is my mother? you have to go for it, you have to commit. i m rick james,one. we, we are going to do a sketch show. you don t comedy is like a concerto with all of its complications. sketch comedy is like a sex pistol song where people get in and get out and somebody gets hurt. i am so full of anticipation that my genitals are sucked up into my body company. sketches a really great way to deliver, do, because you can say so much. the best come in with a point of view about something they want to say. it makes it does feel any b
indiana has bad abortions. now on bbc news, it s hardtalk with zeinab badawi. welcome to hardtalk with me, zeinab badawi. i m at the firstsite gallery, in colchester, in the east of england. my guests are the contemporary artists the singh twins, who have a major exhibition of their work here. the singh twins combine their dual british and indian heritage to make provocative art that has a strong political message. but sometimes, do these two traditions collide? singh twins, welcome to hardtalk. now, you were born in england, but you took a trip for the first time to india when you were teenagers in 1980, and that s when you were first exposed to indian miniature paintings. you describe that as a turning point in your lives why? well, the trip to india was a turning point in our lives for a couple of reasons, really. we were born and brought up in britain. we were aware of our indian heritage, but i don t think we really felt so deeply attached to it until we went to india
an agreement not to allow foreign militants on afghan soil. the rebuke came after a us drone strike in kabul killed ayman al zawahiri, the leader of al-qaeda. now on bbc news, it s hardtalk with zeinab badawi. welcome to hardtalk with me, zeinab badawi. i m at the firstsite gallery, in colchester, in the east of england. my guests are the contemporary artists the singh twins, who have a major exhibition of their work here. the singh twins combine their dual british and indian heritage to make provocative art that has a strong political message. but sometimes, do these two traditions collide? singh twins, welcome to hardtalk. now, you were born in england, but you took a trip for the first time to india when you were teenagers in 1980, and that s when you were first exposed to indian miniature paintings. you describe that as a turning point in your lives why? well, the trip to india was a turning point in our lives for a couple of reasons, really. we were born and brought up