and nature does. and the supreme nature doesn t buy it. no, that s not going to work. so nature s filled with things that are not working, and it goes away and another thing takes it. oh, that works. and the show business of nature and it s all beautiful because it s all evolved and we re bloody destroying it, and itjust filled me with such grief. it took me so long to get. ..to be able to handle it. and that s where i m at. william shatner, what a legend. i know. you know the best thing about that interview? what? he turned up early, and he talked for longer than he said he would. oh, who wouldn t want to hang out with you? well, from one movie icon to an iconic movie. so, over the last few weeks, we ve been looking at some of the films nominated for best visual effects at this year s oscars, and this week it is the turn ofjames bond. did you know that no time to die is the first bond movie that s been nominated in the best visual effects category in 43 years? moonraker was the la
of the films nominated for best visual effects at this year s oscars, and this week it is the turn ofjames bond. did you know that no time to die is the first bond movie that s been nominated in the best visual effects category in 43 years? moonraker was the last one in 1979. yes, of course. and here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. and what does he want? revenge, me. the bond films have a rich heritage of shooting all of their extraordinary action for real. and this film was absolutely no different. there was visual effects in it, but they were not up front and centre. so, for instance, in the norway lake sequence, the production actually went to norway and they filmed on a real lake, a real frozen lake in norway. but as with any production,
moonraker was the last onein1979. , ., , and here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. and what does he want? revenge, me. the bond films have a rich heritage of shooting all of their extraordinary action for real. and this film was absolutely no different. there was visual effects in it, but they were not up front and centre. so, for instance, in the norway lake sequence, the production actually went to norway and they filmed on a real lake, a real frozen lake in norway. but as with any production, when you shoot throughout the day, the footage looks different from shot to shot. there was kind of one or maybe two shots, which everyone was happy with the lighting conditions. we had a task to try and match the lighting
william shatner, what a legend! i know. you know the best thing about that interview? what? he turned up early, and he talked for longer than he said he would. oh, who wouldn t want to hang out with you? well, from one movie icon to an iconic movie. so, over the last few weeks, we ve been looking at some of the films nominated for best visual effects at this year s oscars, and this week it is the turn of james bond. did you know that no time to die is the first bond movie that s been nominated in the best visual effects category in 43 years? moonraker was the last one in 1979. yes, of course. and here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. and what does he want? revenge, me. the bond films have a rich heritage of shooting all of their extraordinary action for real. and this film was absolutely no different. there was visual effects
and the supreme nature doesn t buy it. no, that s not going to work. so nature s filled with things that are not working, and it goes away and another thing takes it. oh, that works. and the show business of nature and it s all beautiful because it s all evolved and we re bloody destroying it, and itjust filled me with such grief. it took me so long to get. to be able to handle it. and that s where i m at. william shatner, what a legend. i know. you know the best thing about that interview? what? he turned up early, and he talked for longer than he said he would. oh, who wouldn t want to hang out with you? well, from one movie icon to an iconic movie. so, over the last few weeks, we ve been looking at some of the films nominated for best visual effects at this year s oscars, and this week it is the turn of james bond. did you know that no time to die is the first bond movie that s been nominated in the best visual effects category in 43 years? moonraker was the last one in 1979.