hit with audiences. and, soon after la scala, he appeared here at the royal opera house, in london. i ve been lucky to see him perform here. he is especially popular for his performance in la fille du regiment, by donizetti. his lyric tenor voice, coupled with an impeccable technique, means he is master of the high note. he sings. they used to be called the money notes. - you had to sing those high c s and if you didn t, the whole - performance was ruined. juan diego s status is one
he is especially popular for his performance in la fille du regiment, by donizetti. his lyric tenor voice, coupled with an impeccable technique, means he is master of the high note. he sings. they used to be called the money notes. - you had to sing those high c s and if you didn t, the whole - performance was ruined. juan diego s status is one of the world s leading tenors has earned him great admiration. and he comes to the stage at the royal opera house to give masterclasses
they used to be called the money notes. - you have to sing those high cs and if you didn t, the wholel performance was ruined. juan diego s status is one of the world s leading tenors has earned him great admiration. and he comes to the stage at the royal opera house to give masterclasses to aspiring opera stars. this high note is here. it s not here, it s not here. but it s not here either, it s in the middle. when you give a masterclass and hear different singers, you already know, when you have listened to them, who might become a superstar or an opera singer. and you already know who won t. though he s based in europe, peru and latin america remain close tojuan diego s heart. he even dressed in traditional
they used to be called the money notes. - you had to sing those high c s and if you didn t, the whole - performance was ruined. juan diego s status as one of the world s leading tenors has earned him great admiration. and he comes to the stage at the royal opera house to give masterclasses to aspiring opera stars. this high note is here, yeah? it s not here, it s not here. but it s not here either, it s in the middle. when you give a masterclass and hear different singers, you already know, when you have listened to them, who might become a superstar 01’ an opera singer. and you already know who won t.