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Jane Weaver: Flock review – triumphantly twisting pop music to her own ends | Pop and rock
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Jane Weaver - Flock - Album Review - Loud And Quiet
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Jane Weaver has described her 11th album as “the most genuine version” of herself to date. For an artist who seems to have spent much of her 25-year career following her own curiosities, it’s an intriguing statement. After years on the periphery making increasingly cosmic folk albums, the Liverpool-born, Manchester-based songwriter had already enjoyed her breakthrough moment in 2014. Recast as a psych-rock adventurer for the fantastic The Silver Globe, Weaver’s interest in the avant-garde (it was a concept album based on a Polish arthouse film), space-rock (one track sampled Hawkwind), krautrock rhythms, analogue synths and ambient textures came together to form a glorious update on psych music. Follow-up Modern Kosmology (2017) further crystallised the interstellar explorations that have continued with 2019’s remix LP Loops In The Secret Society and her soundscape work with new trio Fenella.