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New Hilma af Klint VR Experience Comes to NYC

The Versatility of Joseph Barbara

La vuelta a la normalidad en Suecia, del día a la noche

Suecia reaccionó tarde ante la primera ola del Covid-19 y, afortunadamente, también llegó tarde a la hora de relajar las sutiles recomendaciones de las autoridades sanitarias para combatirla

Francesco Vezzoli installs eight of his works in the archaeological spaces of the Fondazione Brescia Musei

Francesco Vezzoli installs eight of his works in the archaeological spaces of the Fondazione Brescia Musei Francesco Vezzoli, God is a Woman (after Constantin Brâncuşi), 2019, foto © Alessandra Chemollo, Fondazione Brescia Musei. Courtesy Tommaso Calabro Galleria d’Arte, Milano. BRESCIA .-The Fondazione Brescia Musei is presenting Palcoscenici Archeologici. Interventi curatorali di Francesco Vezzoli [Archaeological Stages. Curatorial Interventions by Francesco Vezzoli], an original site-specific exhibition project that follows the project thread of exhibitions conceived by the Fondazione Brescia Musei, chaired by Francesca Bazoli and directed by Stefano Karadjov, combining its own major historical and archaeological heritage with the most interesting voices of contemporary art.

Rediscovering Moki and Don Cherry s Utopian Visions

Rediscovering Moki and Don Cherry’s Utopian Visions ‘Organic Music Societies’ shows the nomadic world the late American jazz icon and Swedish artist created for their friends, collaborators and children, Neneh and Eagle Eye Cherry ‘On nights before our days of travel, the sewing machine’s drive was a lullaby,’ writes musician Neneh Cherry, reflecting on her mother, the artist Moki Cherry, in a new book about her life and work with her husband, the free jazz trumpeter Don Cherry. Moki would stitch stage sets and costumes into the early hours. ‘She even made the luggage,’ Neneh adds.  While Don is recognized as one of the most important musicians of his generation, Moki’s broad artistic output – tapestries, costumes, set design, poetry, sculpture and collage – has been less documented. The new book accompanies an exhibition of the same name, ‘Organic Music Societies’, curated by Moki’s granddaughter Naima Karlsson and Lawrence Kumpf of

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