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Hitchcock’s famous example of suspense a bomb planted beneath a table, its presence known to the viewer but not to the characters on screen works equally well if the explosive device is a human being. In
The Killing Of Two Lovers, it’s a middle-aged man named David (Clayne Crawford) who’s silently ticking; the film opens with him standing over the bed of a sleeping couple, pointing a pistol at each of them in turn, visibly anguished. Before he can summon the nerve or the will or the evil to fire, a toilet flushed elsewhere in the house scares him off, out the window and down the street, on foot, to what’s eventually revealed as his childhood home, where he’s temporarily moved back in with his widowed father (Bruce Graham). The woman David pondered murdering turns out to be his wife, Nikki (Sepideh Moafi), with whom he has a teenage daughter (Avery Pizzuto) and three younger sons (Arri, Ezra, and Jonah Graham). They’re recently separated, and both theoreti