move this, move this. there, watch this and watch this. this is one of the key. so, this karate is my sushi roots. anthony: now, in an official tournament yasuda: mm-hmm? anthony: a two-minute round yasuda: a two-minute round, yes. anthony: and the result you re looking for is points? yasuda: points or a knock down. anthony: right. yasuda: but the two minutes fight. uh, one minute is a fight. that s the most hardest. anthony: if it s underground, you could just work on their legs for five, seven minutes to slow them down. yasuda: yes. anthony: and then you go in. yasuda: yes, and no compromise, just do it.
band member 1: do you mean that you sometimes get angry with someone people? anthony: yeah, if i see nickelback, i want to kill myself. okay? i want to kill them and then i want to kill myself, and then i want to kill everybody who listens to them. okay? so, like, what s so funny? it s true. uh, like, i mean, who do you hate? what band do you hate? singer: mmmmm. anthony: a band that i would know. who s the worst band in the world? the worst popular band in the world. band member 2: my chemical romance. anthony: who? band member 1: my chemical romance. anthony: oh, my chemical romance yes. hate them. [ laughter ] that s a good one.
what she said, when she was tied up, no need to think. just leave it to she loved that. anthony: performance art, craft, fetish or compulsion. it s an old and shockingly omnipresent feature of japanese popular fantasy culture. magazines, movies, even comic books. the intricate restraint of a willing victim, well, it s there. not far from the surface. what percentage of japanese men are interested in either tying up women or subjugating women? naga: all of them. anthony: all of them?
the, uh, discount box. then, i bought this. anthony: that s very french of you. [ laughter ] so many things separate yasuda-san from other japanese sushi masters. the most noticeable is his hands. they re huge. look at the knuckles, enormous from years of pounding cement walls during repeated daily practice in kyokushin karate. he first trained and competed in tokyo. and when he came to new york, he continued to practice. often, in underground, bare-knuckle matches, where you fight until someone gets beaten to the ground. this style, yasuda practiced, was about beating your opponent as quickly and as aggressively as possible. speed. every second is important. rice is getting cold.
naga: a hundred a hundred thousand people. anthony: a lot. naga: a lot. anthony: this is shibari, translation, to bind. and to make things more confusing for those looking for a concise takeaway, a comfortable reaction to what sure as hell looks pretty disturbing. tomika who spends most of her time ripping, burning, and generally abusing men, enthusiastically reverses roles in her longtime relationship with hajime. uh, it looks like, um, a very delicate procedure. does it hurt or does it feel good? naga: of course, but this pain change through the ecstasy.