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The only thing Carmilla film adaptations have in common with the titular character: They suck

The only thing Carmilla film adaptations have in common with the titular character: They suck
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Blue Crush: Why Neon has the perfect low-brow mush to watch this long-weekend

Blue Crush: Why Neon has the perfect low-brow mush to watch this long-weekend
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What Girls Do When They re Left Alone: Return Of The Repressed

Movie review / Carmilla (MA) | Canberra CityNews

“Carmilla” (MA) and a half HOW do you kill a vampire? Any fool knows the answer to that question. You hammer a wooden stake through its heart. Easy peasy! For this film, writer/director Emily Harris has adapted one of the early works of vampire fiction, Sheridan Le Fanu’s 1871/72 novella, antedating “Dracula” by 26 years.  The narrator is Lara (Hannah Rae), a young woman preyed upon by Carmilla, (an anagram of Mircalla, Countess Karnstein) a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist.  The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and relatively unmentioned. The story has often been adapted in film and other media.

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