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Sexual assault charges against Branislav Lecic dismissed

Sexual assault charges against Branislav Lecic dismissed
serbianmonitor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from serbianmonitor.com Daily Mail and Mail on Sunday newspapers.

Film Fund Luxembourg unveils the projects selected in its second annual committee

Il Film Fund Luxembourg annuncia i progetti selezionati per la sua seconda sessione di 2021

Il Film Fund Luxembourg annuncia i progetti selezionati per la sua seconda sessione di 2021 La regista Barbara Albert (© Manfred Werner Tsui) Questo articolo è disponibile in inglese. The Film Fund Luxembourg selection committee has allocated selective aid to the tune of €8,847,184 for the writing and/or development and production of films, shared between 16 projects. Standing out among the various feature films selected during this second annual ‘outcome session’ are a number of works directed by women, starting with Austrian filmmaker Barbara Albert ( Die Mittagsfrau – a historical romance immersing itself in post-war Berlin and adapted from the bestselling book by Julia Franck - will unite the likes of Germany (Lucky Bird Pictures), Switzerland (C-Films), France (Rezo) and Luxembourg (€1,500,000 allocated by FFL, via Iris Productions). Germany’s

100 Best Movies Written by Women of All Time Rotten Tomatoes – Movie and TV News

The 100 Best Movies Written by Women Welcome to our guide of the best movies written by women: These are highly Certified Fresh films (nothing on the list falls below 94%) whose screenplay credit goes in part or fully to women. The journey begins nearly a century ago with 1925’s Battleship Potemkin, written by Nina Agadzhanova, inspired by her own participation in Soviet uprisings. Just two years later, Metropolis, cinema’s first sci-fi feature masterpiece, emerged out of Germany, written by Thea von Harbou. The 1930s were one of those peak decades for movies, in no small part thanks to King Kong (co-written by Ruth Rose),

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