which was almost $1,000 before even knowing if this is going to work. then for the first time, i understood how much work i have ahead of me. no kidding. then amir had to get 500 people to hold up each one of his 500 pictures in the same position in order. the first two days i went out to the streets of jerusalem, and i came back with nothing. i didn t have enough courage to ask anybody. and then after two days, i said to myself, well, i m too deep in this, i spent thousands on it, i have no choice, i have to do it. part of the magic is knowing that there s actually 500 different faces there, that s 500 different people, and that s sort of amazing. having people actually hold the frames, it gives that analog charm or feeling you can t get in a digital way. my kind of breakthrough moment
so many photos. you want to talk photos, meet israeli filmmaker iran amir. this idea kind of popped in my head. from the moment i thought about it, i knew i would have to make it. amir calls his video 500 people in 100 seconds. and what is that, a movie in their hands? this is a great, great video. you ve got all these people being photographed and then there s a whole scene going on within the photograph that they re holding and you re looking at the people, but you re also looking at the video that they re holding. this video was made in two parts. the first part making the music video was easy. when i heard the song, i knew immediately this is the song i m going to use. it have a catchy tune and it s good rhythm. and also, it s exactly 90 seconds, which for me is the idea length of a youtube video.
so many photos. you want to talk photos, meet israeli filmmaker iran amir. this idea kind of popped in my head. from the moment i thought about it, i knew i would have to make it. amir calls his video 500 people in 100 seconds. and what is that, a movie in their hands? this is a great, great video. you ve got all these people being photographed and then there s a whole scene going on within the photograph that they re holding and you re looking at the people, but you re also looking at the video that they re holding. this video was made in two parts. the first part making the music video was easy. when i heard the song, i knew immediately this is the song i m going to use. it have a catchy tune and it s
as it turns out, he shot the black and white movie and had it divided up and turned into still frames. let s do the math here. amir took his music video and chopped it up into more than 2,000 continuous still photos that he took to a printer for hard copies. i got the pictures back. what i got back was a giant box weighing almost 20 kilograms, which was almost $1,000 before even knowing if this is going to work. then for the first time, i understood how much work i have ahead of me. no kidding. then amir had to get 500 people to hold up each one of his 500 pictures in the same position in order. the first two days i went out to the streets of jerusalem, and i came back with nothing. i didn t have enough courage to ask anybody. and then after two days, i said to myself, well, i m too deep in this, i spent thousands on it, i have no choice, i have to do it. part of the magic is knowing that there s actually 500 different faces there, that s 500 different people, and that s so
so many photos! you want to talk photos, meet israeli filmmaker iran amir. this idea kind of popped in my head. from the moment i thought about it, i knew i would have to make it. amir calls his video 500 people in 100 seconds. and what is that, a movie in their hands? this is a great, great video. you ve got all these people being photographed and then there s a whole scene going on within the photograph that they re holding, and you re looking at the people, but you re also looking at the video that they re holding. this video was made in two parts. the first part, making the inner music video, was easy. when i heard the song, i knew immediately this is the song i m going to use. it has a catchy tune, it has