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The Paris Review - Staff Picks: Jungles, Journeys, and Jealousy

There is a Joni Mitchell live album called Miles of Aisles, recorded while she was on tour in 1974. Caught on the recording is her response in a slightly Dylan-esque posture to the crowd’s wild chanting for a particular number. She complains that other artists don’t have to deal with this kind of crap: “Nobody ever said to Van Gogh, ‘Paint a Starry Night again, man!’ ” I think she’s wrong, though. The anticipation for Rachel Cusk’s new novel, Second Place, has been as close to feverish as we get in certain circles, and it is in part because Cusk answers the call to “paint a

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The Paris Review - Staff Picks: Mothers, Grandmothers, and Gardens

Tove Jansson, 1954. Public domain, via Wikimedia Commons. My grandmother will be ninety-six this September. Lately she has taken to expressing herself with an almost childlike wonder, finishing television shows or simple meals or songs on the radio with jaw-dropping admiration, claiming them the best she has seen or eaten or heard in all her days. Thinking about this sometimes apt and more often comical appreciation for life’s otherwise ordinary details puts me in mind of another fanciful grandmother and her adventures around a small Finnish island on the heels of her six-year-old granddaughter, the spritely Sophia, in Tove Jansson’s

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The Paris Review - Staff Picks: Sweaters, Sisters, and Sounds

Sisters with Transistors. Photo: Peggy Weil. Courtesy of Metrograph Pictures. Such care is taken with the visual and aural elements of Lisa Rovner’s Sisters with Transistors, a new documentary profiling women composers from the early days of electronic music, that watching it feels more like observing a cinematic poem than a cut-and-dried work of nonfiction. Featuring a voice-over by Laurie Anderson alongside decades’ worth of rare archival footage, the movie examines the careers of ten women Clara Rockmore, Delia Derbyshire, Daphne Oram, Éliane Radigue, Maryanne Amacher, Bebe Barron, Suzanne Ciani, Pauline Oliveros, Laurie Spiegel, and Wendy Carlos and the gender disparity that has led to so many of them being overlooked, forgotten, or outright erased from the history of electronic music. The relationship between art, humans, and machines is one I find constantly fascinating, and

United statesMary louise parkerBebe barronMira braneckBella lee bairdChristopher dunnLaurie andersonCraig morgan teicherClara rockmorePauline oliverosSuzanne cianiThurston mooreBill adamsDelia derbyshireRhian sasseenNick drake

The Paris Review - Staff Picks: Motion Pics, Feature Flicks, and Oscar Picks

Preparations to be Together for an Unknown Period of Time, 2020. Courtesy of Greenwich Entertainment. Lili Horvát’s Preparations to Be Together for an Unknown Period of Time was Hungary’s entry to the Oscars’ Best International Feature Film category, but unfortunately it wasn’t selected. Horvát’s second feature (named after a 1972 underground experimental theater piece) is a sophisticated puzzle of a film, filled with questions concerning the nature of desire, memory, and the human brain. Opening with a quote from Sylvia Plath’s poem “Mad Girl’s Love Song,” the film follows Márta, a highly successful Hungarian brain surgeon living in New Jersey, who returns to Budapest after an unexpected affair with János, a fellow brain surgeon, at a conference. Filled with anticipation, she waits for him at their designated meeting spot, only to be stood up. Worse yet, when she tries to confront him, he claims to have no idea who she is. Did Márta imagine the whole affair

United statesNew jerseyMaggie gyllenhaalMira braneckFlorian zellerSylvia plathElliot gouldLili horvLawrence gilliard jrRhian sasseenRobin jonesDenise sherer jacobsonAnthony hopkinsMichael shannonGeorge segalMel gibson

The Paris Review - Staff Picks: Boulders, Brushstrokes, and Bud Smith

The Paris Review - Staff Picks: Boulders, Brushstrokes, and Bud Smith
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