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Observer/Anthony Burgess prize for arts journalism 2021: Milo Nesbitt on Electronic: From Kraftwerk to the Chemical Brothers

Sun 14 Mar 2021 04.00 EDT Milo Nesbitt, 22, is currently studying for a master’s in English at Oxford University At one point in Electronic, which opened in July 2020, you come to an array of variously sized plastic circles, packed tightly together and lit at an angle so as to project their shadow on to the wall behind and above them. There’s a moment when you wonder what these shapes are: some kind of abstract art, a mountain-range silhouette, a heartbeat. Then you realise, of course, that it’s a spectrogram for the song you’ve just listened to through your headphones – and that these black plastic circles are supposed to look like records. It’s a lovely reflection of electronic music’s ways of generating meaning without necessarily relying on lyrics. These signs could mean anything; they could mean everything.

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