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Edward Burns returns to Long Island with Bridge and Tunnel Edward Burns, a filmmaker, in East Hampton, N.Y., Jan. 7, 2021. Set in a 1980s version of his hometown, the filmmaker’s new Epix series captures the post-college period when “you’re not quite an adult but no longer a kid,” he said. Timothy O’Connell/The New York Times. by Stuart Miller (NYT NEWS SERVICE) .- Edward Burns has carved a distinctive path as an indie filmmaker in the quarter-century since he made a splash with his debut, “The Brothers McMullen.” He has consistently made movies for small ($250,000 for “Looking for Kitty”) to minuscule ($9,000 — yes, you read that right — for “Newlyweds”) budgets, and was experimenting with new distribution models even before the rise of streaming. In 2007, he made the first straight-to-iTunes movie, “Purple Violets,” and in 2010, he inaugurated Comcast’s straight-to-VOD Indie Film Club with “Nice Guy Johnny.”

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