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Drum Cover Girl Erlin Ibreck at Trafalgar Square, London , James Barnor, 1966, printed 2010

Drum Cover Girl Erlin Ibreck at Trafalgar Square, London , James Barnor, 1966, printed 2010
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For Every Story, I Have a Photograph : Legendary Ghanaian Photographer James Barnor on His London Retrospective

For Every Story, I Have a Photograph : Legendary Ghanaian Photographer James Barnor on His London Retrospective
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Hug a museum: the best exhibitions to see around the UK as restrictions ease

Hug a museum: the best exhibitions to see around the UK as restrictions ease
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No duds : James Barnor s photographs capture the rapidly changing societies of Ghana and the UK

James Barnor s Sick Hagemeyer shop assistant, Accra (around 1971) Courtesy of Autograph The British-Ghanaian photographer James Barnor made his start on the streets of Accra in pre-Independence Ghana using borrowed equipment. By 1953 he had started his own studio called Ever Young in the Jamestown area of Accra, which was visited by civil-servants, dignitaries, artists and newly-weds alike. The images he took there were ostensibly formal portraits but set against elaborate painted backgrounds and, thanks to his rapport with his sitters, they fizz with energy. “He said his studio was a little bit like a community centre,” says Lizzie Carey-Thomas, the curator of a forthcoming survey of Barnor’s work at the Serpentine North Gallery in London. “[The studio] was next to one of the most well-known hotels in Accra, and so he had a steady flow of people dropping in to see him all day and all night.” Visitors would come for a variety of reasons: p

How James Barnor s Iconic Images Shaped the Imagination of a Generation of Black Britons

How James Barnor s Iconic Images Shaped the Imagination of a Generation of Black Britons
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