If a ballet is remounted eighty-five years later with new choreography, music, costumes, and (obviously) a new cast, but in the same basic setting, is it a revival, or an entirely new production? Matthew Lutz-Kinoy’s Filling Station raised that question in two performances at the Mobil on 8th Avenue and Horatio Street in Greenwich Village, presented by The Kitchen. With his collaborators, Lutz-Kinoy created a new entity connected only by title and rough structure to the 1938 ballet by the same name choreographed by Lew Christensen, with libretto by Virgil Thomson.
Read article about Fashion is enigmatic in evolution, intriguing in comprehension, and has always been receptive of out-of-box ideas. Since it can inspire its followers to reveal their true selves, it is truly liberating as well. For long, we have been accustomed to gender-based fashion – separate attire for males and females, that has not only created distinct and segmented binary fashion in our mind but also stereotyped it. and more articles about Textile industary at Fibre2Fashion