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Dawoud Bey, A Young Man Resting on an Exercise Bike, Amityville, NY, 1988, inkjet print, 30 x 40 . Over the past forty-five years, Dawoud Bey has critically reimagined photography’s social and political potential, whether through his collaborative portraits of under- and misrepresented communities or through his more recent explorations of the landscapes of northern Ohio, a terminus of the Underground Railroad. April offers three occasions to see Bey’s work: a new book, Street Portraits (Mack), which gathers portraits of African Americans made between 1988 and 1991; the Okwui Enwezor–conceived “Grief and Grievance: Art and Mourning in America” at the New Museum in New York, which includes Bey’s “Birmingham Project” series; and “American Project,” a major retrospective that runs from April 17 to October 3 at the Whitney Museum of American Art. 

New yorkUnited statesWhitney museum of american artJack whittenCandida alvarezRoy decaravaIrving pennMel edwardsRomare beardenOkwui enwezorDawoud beyEd clarkRichard avedonSam gilliamMike disfarmerIan bourland