Hip hop music started in South Bronx, NYC back in August 1973 and in fifty years, it s become a dominant form in pop music. This episode brazenly tries to recap it all, though with highlights on recent acts, Vancouver performers and then multiple soundtracks, primarily from the early 1980s with films like Wild Style & Style Wars amidst others like Krush Groove & Deep Cover. This is the birthday message. 1. Isaac Hayes: Theme from Shaft [Take 2, live] (Soul d Out: The Complete Wattstax Collection, 2023) Craft/Stax 2. Badbadnotgood & MF Doom: The Chocolate Conquistadors [instrumental] (Grand Theft Auto Online: The Cayo Perico Heist 10", 2020) self-released 3. Marva Whitney: Unwind Yourself (It s My Thing, 1969) King/Polydor 4. Too Nice: Cold Facts [45 King remix] (Cold Facts remixes, 1989) Arista 5. David McCallum: House of Mirrors (Music: It s Happening Now! 1969) Capitol 6. Rascalz: Gametime (Global Warning, 1999) Vik/BMG 7. Jaykin: ETS [Take Your Time] (
James Blake – Big Hammer
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James Blake Announces Sixth Album Playing Robots into Heaven and Tour, Shares New Song
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the nature of the criticism of using international law comes from a misunderstanding of the american use of that concept of using foreign law and that misunderstanding is unfortunately, endorsed by some of our own supreme court justices. both justice scalia and justice thomas have written extensively criticizing the use of foreign and international law in supreme court decisions. so she criticized justice scalia and thomas, who have expressed opposition to this. let me be blunt. i believe it s judge sotomayor, not the justices scalia and thomas, who are wrong. under her approach, a yuj is free has free rein to survey the world to find what they might consider to be good ideas, and then impose these views on the american people calling it law. however, this is not the american system. our system requires judges to adhere to this constitution. to the statutes and to the legal precedent, to the end that justices follow the will of the people of our country, as expressed in