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NYT Critic s Pick Have you been ravenous, lo these many shutdown months, for the layered richness of live theatrical design? The Classical Theater of Harlem has just the thing to sate your hunger. Ambitious design is one of the hallmarks of this company, and it is an absolute joy to encounter it again in such fine form in Will Power’s “Seize the King,” a contemporary verse spin on “Richard III,” in Marcus Garvey Park. The brothers Christopher and Justin Swader, old hands at transfiguring the utilitarian stage of the Richard Rodgers Amphitheater, frame Carl Cofield’s production with a set that is both monumental and minimalist, aglow with Alan C. Edwards’s canny lighting. In the gathering dusk, we gaze on its stony surfaces and square-edged sconces, and enchantment begins even before the show does.

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