Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process there . Absolutely. In terms of the African American charact
Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process there . Absolutely. In terms of the African American charact
And what ive even found is as i write characters now, for example in the play after the war, when i write characters that are not japanese american, that are African American, that are anglo american, as in this particular play, i have to be really really conscious of the fact that these characters, how they speak and the directness of their speech, in how aggressive or nonaggressive they are in certain situations, that i am seeing the world through that characters eyes and not my normal japanese american sort of perspective. Because my point of view, i have come to know, is a specific one, how my characters and how i talk to the world and interact with the world is very different than how other peoples might. So over the years i have learned how to both be aware of my own particular voice and how i have to also look beyond it if i want to write about other characters who are not part of a linage that has come from the internment camp experience. So in a long way of telling and respond
Building a house, but it may be something about money that comes up in the play but actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all
Now. So thats how things that are happening in ones life feed into it. Other things feed into it, too, like my wife and i have been trying to build this house in the Berkeley Hills for about 5 years so all of that also kind of feeds into the play even though it may not surface in the way the characters are building a house, but it may be something about money that comes up in the play but actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting