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If more fascists slept with Baya Benmahmoud, there would be fewer fascists. That is her theory, anyway, and a good many fascists allow her to test it during The Names of Love, a wacky French satire about the supercharged political climate in France. Baya (Sara Forestier) is the child of a gentle Algerian father and a fervently political French mother. Sexual abuse by her childhood piano teacher has inspired her, somewhat obscurely, to use sex as a weapon of political persuasion. The Names of Love swims in the waters of French politics, which are a good deal more diverse than our own, spanning communists on the left and neo-fascists on the right. The Socialist Party of Dominique Strauss-Kahn, in this company, is close to the center. Baya s evangelical recruitment is further eased by her freedom in defining fascist, which for her seems to embrace anyone even slightly shy of the activist left.

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