Wonder Woman 1984.
You have declared
WW84, I mostly view it as a cavalcade of missed opportunities. Why produce a sequel to a hit movie that was uplifting and fun and make it dour and glum for its entire second half? Why shoot a scene in which Kristen Wiig stares longingly at Gal Gadot over glasses of wine while they bemoan their shared loneliness and
not end it with them falling into each other’s arms?
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And, most glaringly, why on earth would you set a movie in 1984 as Michaelangelo Matos’ terrific new book points out, a signal year for pop hits and then